Alan Bean
        Jack Lousma
        Owen Garriott
J.W. Eastman
J.A. Wright
	The Skylab crew 2 patch has as its central image an adaptation 
           of a drawing by Leonardo da Vinci, which was 
           
           inspired by the writings of the first century BCE Roman architect 
           Marcus
		   Vitruvius Pollio in his De Architectura libri decem 
           (Ten Books on Architecture), the oldest and most influential 
           work on the subject. In the third volume, Vitruvius suggests that buildings should 
           reflect the proportions of the human figure — and that this figure would fit 
           into the perfect geometric figures of the circle and the square. 
           Leonardo, thus inspired, drew such a figure in one of his
		   now-famous notebooks around 1487. While usually referred to as 
		   Leonardo’s “Vitruvian Man,” it really has no
		   formal title.
We had decided that our patch should be red, white and blue for obvious reasons. The Earth half of the patch is pretty straightforward. The sun half is a little special in that the solar flare depicted in yellow orange is the shape of one Owen Garriott had done extensive analysis on years before. Leonardo da Vinci’s man represents the medical aspects of the flight. Certain modifications were made in da Vinci’s art to make it more suitable for family viewing.
— Jack Lousma, from All We Did Was Fly to the Moon
According to an article published in the September 1973 issue of the Skylab Orbital Workshop prime contractor’s house organ McDonnell Douglas Spirit, J.W. Eastman and J.A. Wright collaborated on the design with feedback from the crew.
In my opinion, this is one of the handsomest of the early patches. According to John Bisney, Alan Bean — who became a full-time artist after leaving the astronaut corps — was very particular about the patch artwork for his missions.

The Skylab crew 2 astronauts display their patch at a press conference.
French journalist Jacques Tiziou conceived the idea of a patch based on
	    the actual mission design, but using a female figure in place of the
		Leonardo-based male form. He asked Alan Bean’s art teacher,
		Ardis Shanks, to draw the female figure, added this to the base
		design, and replaced the crew names with the names of their wives — 
		Sue Bean, Helen-Mary Garriott and Gratia Lousma. He then had 320 embroidered 
		patches made, and arranged for an astronaut acquaintance to stash a number
		of these in the Skylab crew 2 CM, reminiscent of the way the Apollo 14 backup
		crew secreted their own patch in the nooks and crannies of the Apollo 14 
		spacecraft.

The wives of the Skylab II crew with the artist who drew the figure for the “wives” patch. Left to right: Helen-Mary Garriott, Sue Bean, artist Ardis Shanks, and Gratia Lousma. My thanks to Ardis Shanks for this photo.