Gerald Carr
William Pogue
Edward Gibson

Barbara Matelski

“The three of us dreamed up the concept, Bill Pogue put together the description, and Barbara Matelski from the Johnson Space Center Graphics Department did the artwork. We gave our concept to several artists, but none of them came up with a design that delivered the message, so we rough sketched our idea, and Barbara put it together.”

— Jerry Carr, from All We Did Was Fly to the Moon

“The symbols in the patch refer to the three major areas of investigation in the mission. The tree represents man’s natural environment and refers to the objective of advancing the study of earth resources. The hydrogen atom, as the basic building block of the universe, represents man’s exploration of the physical world, his application of knowledge, and his development of technology. Since the sun is composed primarily of hydrogen, the hydrogen symbol also refers to the Solar Physics mission objectives.

“The human silhouette represents mankind and the human capacity to direct technology with a wisdom tempered by his regard for his natural environment. It also relates to the Skylab medical studies of man himself.

“The rainbow, adopted from the Biblical story of the Flood, symbolizes the promise that is offered to man. It embraces man and extends to the tree and hydrogen atom, emphasizing man’s pivotal role in the conciliation of technology with nature by a humanistic application of our scientific knowledge.”

— From the Skylab Expedition 3 astronauts’ calling card

The artwork is very nicely put together, and Matelski obviously takes into account the limitations of the silk screen process used to fabricate the beta cloth patches. Matelski also did the artwork for the Apollo 16 patch.

The Lion Brothers version of this patch that has a yellow comet in the blue background around the top of the “3,” which represents the observations of Comet Kohoutek.